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They overfeed the dogs and then starve them when the food runs out. On their journey they meet John Thornton, an experienced outdoorsman, who notices the dogs have been poorly treated and are in a weakened condition.

He warns the trio against crossing the river, but they ignore his advice and order Buck to move on. Exhausted, starving, and sensing the danger ahead, Buck refuses and continues to lie unmoving in the snow.

After Buck is beaten by Hal, Thornton recognizes him to be a remarkable dog. After some argument, the trio leaves and tries to cross the river, but as Thornton warned, the ice breaks, and the three fall into the river and drown, along with the sled and neglected dogs.

Buck comes to love and grow devoted to Thornton as he nurses him back to health. He saves Thornton when the man falls into a river. A king of the Skookum Benches offers a large sum to buy Buck, but Thornton has grown fond of him and declines.

Using his winnings, John Thornton retires his debts, but elects to continue searching for gold. However, Buck returns to the campsite to find Hans and Pete murdered, then sees John Thornton has suffered the same fate.

Buck finds out the murderers were a group of Yeehat Indians. Buck eventually kills the natives to avenge Thornton, and he then is attacked by an entire pack of wolves.

Buck wins the fight, then finds that the same timber wolf he had socialized with was in the pack he fought. Buck then follows the wolf and its pack into the forest, and answers the call of the wild.

Buck comes out of the backwoods once a year on the anniversary of his attack on the Yeehats, at the former campsite where he was last with John Thornton, Hans and Pete, in order to mourn their deaths.

California native Jack London had traveled around the United States as a hobo , returned to California to finish high school he dropped out at age 14 , and spent a year in college at Berkeley , when in he went to the Klondike by way of Alaska during the height of the Klondike Gold Rush.

Later, he said of the experience: He left California in July and traveled by boat to Dyea, Alaska , where he landed and went inland. They were successful in staking claims to eight gold mines along the Stewart River.

London stayed in the Klondike for almost a year, living temporarily in the frontier town of Dawson City , before moving to a nearby winter camp, where he spent the winter in a temporary shelter reading books he had brought: In the spring, as the annual gold stampeders began to stream in, London left.

He had contracted scurvy , common in the Arctic winters where fresh produce was unavailable. When his gums began to swell he decided to return to California.

There, he hired himself out on a boat to earn return passage to San Francisco. Horses were replaced with dogs as pack animals to transport material over the pass; [10] particularly strong dogs with thick fur were "much desired, scarce and high in price".

London would have seen many dogs, especially prized Husky sled dogs, in Dawson City and in the winter camps situated close to the main sled route.

Bernard - Scotch Collie dog about which London later wrote: The depiction of the California ranch in the beginning of the story was based on the Bond family ranch.

On his return to California, London was unable to find work and relied on odd jobs such as cutting grass. He submitted a query letter to the San Francisco Bulletin proposing a story about his Alaskan adventure, but the idea was rejected because, as the editor told him, "Interest in Alaska has subsided in an amazing degree.

Expecting to write a short story, London explains: Written as a frontier story about the gold rush, The Call of the Wild was meant for the pulp market.

The Call of the Wild falls into the genre of animal fiction, in which an animal is anthropomorphized and given human traits.

In the story, London attributes human thoughts and insights to Buck, so much so that when the story was published he was accused of being a nature faker for attributing "unnatural" feelings to a dog.

The story is also an example of American pastoralism —a prevailing theme in American literature—in which the mythic hero returns to nature.

As with other characters of American literature, such as Rip van Winkle and Huckleberry Finn , Buck symbolizes a reaction against industrialization and social convention with a return to nature.

London presents the motif simply, clearly, and powerfully in the story, a motif later echoed by 20th century American writers William Faulkner and Ernest Hemingway most notably in " Big Two-Hearted River ".

The enduring appeal of the story, according to American literature scholar Donald Pizer , is that it is a combination of allegory , parable , and fable.

In The Call of the Wild , London intensifies and adds layers of meaning that are lacking in these stories. As a writer London tended to skimp on form, according to biographer Labor, and neither The Call of the Wild nor White Fang "is a conventional novel".

The format of the story is divided into four distinct parts, according to Labor. In the first part, Buck experiences violence and struggles for survival; in the second part, he proves himself a leader of the pack; the third part brings him to his death symbolically and almost literally ; and in the fourth and final part, he undergoes rebirth.

London places Buck in conflict with humans, in conflict with the other dogs, and in conflict with his environment—all of which he must challenge, survive, and conquer.

He learns that in a world where the "club and the fang" are law, where the law of the pack rules and a good-natured dog such as Curly can be torn to pieces by pack members, that survival by whatever means is paramount.

London also explores the question of "nature vs. Buck, raised as a pet, is by heredity a wolf. The change of environment releases his innate characteristics and strengths to the point where he fights for survival and becomes leader of the pack.

Furthermore, Pizer maintains that the story appeals to human nature with the theme of the strong prevailing, particularly when faced with harsh circumstances, and a return to the wild.

The veneer of civilization is thin and fragile, writes Doctorow, and in the story London exposes the brutality at the core of humanity and the ease with which humans revert to a state of primitivism.

Doctorow sees the story as a caricature of a bildungsroman — in which a character learns and grows — in that Buck becomes progressively less civilized.

The stanza outlines one of the main motifs of The Call of the Wild: The imagery and symbolism in the first phase, to do with the journey and self-discovery, depict physical violence, with strong images of pain and blood.

In the second phase fatigue becomes a dominant image and death is a dominant symbol, as Buck comes close to being killed.

The third phase is a period of renewal and rebirth and takes place in the spring, before ending with the fourth phase, when Buck fully reverts to nature is placed in a vast and "weird atmosphere", a place of pure emptiness.

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In the story, London attributes human thoughts and insights to Buck, so much so that when the story was published he was accused of being a nature faker for attributing "unnatural" feelings to a dog.

The story is also an example of American pastoralism —a prevailing theme in American literature—in which the mythic hero returns to nature.

As with other characters of American literature, such as Rip van Winkle and Huckleberry Finn , Buck symbolizes a reaction against industrialization and social convention with a return to nature.

London presents the motif simply, clearly, and powerfully in the story, a motif later echoed by 20th century American writers William Faulkner and Ernest Hemingway most notably in " Big Two-Hearted River ".

The enduring appeal of the story, according to American literature scholar Donald Pizer , is that it is a combination of allegory , parable , and fable.

In The Call of the Wild , London intensifies and adds layers of meaning that are lacking in these stories. As a writer London tended to skimp on form, according to biographer Labor, and neither The Call of the Wild nor White Fang "is a conventional novel".

The format of the story is divided into four distinct parts, according to Labor. In the first part, Buck experiences violence and struggles for survival; in the second part, he proves himself a leader of the pack; the third part brings him to his death symbolically and almost literally ; and in the fourth and final part, he undergoes rebirth.

London places Buck in conflict with humans, in conflict with the other dogs, and in conflict with his environment—all of which he must challenge, survive, and conquer.

He learns that in a world where the "club and the fang" are law, where the law of the pack rules and a good-natured dog such as Curly can be torn to pieces by pack members, that survival by whatever means is paramount.

London also explores the question of "nature vs. Buck, raised as a pet, is by heredity a wolf. The change of environment releases his innate characteristics and strengths to the point where he fights for survival and becomes leader of the pack.

Furthermore, Pizer maintains that the story appeals to human nature with the theme of the strong prevailing, particularly when faced with harsh circumstances, and a return to the wild.

The veneer of civilization is thin and fragile, writes Doctorow, and in the story London exposes the brutality at the core of humanity and the ease with which humans revert to a state of primitivism.

Doctorow sees the story as a caricature of a bildungsroman — in which a character learns and grows — in that Buck becomes progressively less civilized.

The stanza outlines one of the main motifs of The Call of the Wild: The imagery and symbolism in the first phase, to do with the journey and self-discovery, depict physical violence, with strong images of pain and blood.

In the second phase fatigue becomes a dominant image and death is a dominant symbol, as Buck comes close to being killed.

The third phase is a period of renewal and rebirth and takes place in the spring, before ending with the fourth phase, when Buck fully reverts to nature is placed in a vast and "weird atmosphere", a place of pure emptiness.

The setting is allegorical. The southern lands represent the soft, materialistic world; the north symbolizes a world beyond civilization and is inherently competitive.

Buck must defeat Spitz, the dog who symbolically tries to get ahead and take control. When Buck is sold to Charles, Hal, and Mercedes, he finds himself in a camp that is dirty.

They treat their dogs badly; they are artificial interlopers in the pristine landscape. The characters too are symbolic of types.

Charles, Hal and Mercedes symbolize vanity and ignorance, while Thornton and his companions represent loyalty, purity, and love.

London varied his prose style to reflect the action. The story was written as a frontier adventure and in such a way that it worked well as a serial.

As Doctorow points out, it is good episodic writing that embodies the style of magazine adventure writing popular in that period. The Call of the Wild was enormously popular from the moment it was published.

The making and the achievement of such a hero [Buck] constitute, not a pretty story at all, but a very powerful one. The book secured London a place in the canon of American literature.

After the success of The Call of the Wild London wrote to Macmillan in proposing a second book White Fang in which he wanted to describe the opposite of Buck: Instead of devolution of decivilization In , an anime film titled Call of the Wild: A comic adaptation had been made in for Boys Life magazine.

French Canadian film director Christian Duguay has announced financing and distribution for a version of The Call of the Wild to be released in Harrison Ford will star as the lead role and Terry Notary will start as Buck.

From Wikipedia, the free encyclopedia. For other uses, see Call of the Wild disambiguation. The Call of the Wild.

Illustrated by Philip R. Goodwin and Charles Livingston Bull First ed. Retrieved 26 January Works by Jack London. Lost Face South Sea Tales Dog of the Yukon movie Call of the Wild series.

Retrieved from " https: Articles with short description CS1: Views Read Edit View history. In other projects Wikimedia Commons Wikisource.

This page was last edited on 29 January , at By using this site, you agree to the Terms of Use and Privacy Policy. Goodwin and Charles Livingston Bull.

Wild starred in this American family television series that launched in Pufnstuf was also a segment in the second and final season of The Banana Splits Adventure Hour , despite 2 episodes remaining unaired until He starred in the movie Pufnstuf Other roles followed, including the films Melody with Oliver!

The latter film reunited him with Ron Moody , who had played Fagin in Oliver! The 14 was directed by David Hemmings. At the height of his acting career, Wild usually acted younger than he was.

Pufnstuf , he was a seventeen-year-old playing a boy who was eleven. However it did bug me when I would be twenty-one being offered the role of a thirteen-year-old.

During the early s, Wild was considered a teen heartthrob, alongside David Cassidy and Barry Williams. They married on 14 February At age 21 he was already an alcoholic and a diabetic.

By his film career was badly stalled. In he was supposed to star with Suzi Quatro in a series about a modern-day Bonnie and Clyde for British television, but it was cancelled at the last minute.

His alcoholism ruined both his career and marriage to Gaynor Jones, who left him in because of his excessive drinking. After exhausting his remaining fortune, Wild lived with his retired father for a few years.

Wild unsuccessfully attempted various alcoholism rehabilitation programmes and finally let go of drinking on 6 March after joining Alcoholics Victorious.

Prince of Thieves and as a peddler in Basil The show ran for two weeks at the Theatre Royal , Nottingham. In , Wild was diagnosed with oral cancer , blaming the disease on his drinking and smoking habits.

Wild had to communicate through his second wife, Claire Harding, for the rest of his life. The two met when he was working with her in Jack and the Beanstalk in Worthing.

Wild died on 1 March He was buried in Toddington Parish Cemetery , Bedfordshire. At the time of his death, Wild and his wife, Claire Harding, had been working on his autobiography.

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